2. (He)Art History or a Death in the Family

This chapter begins with comments on the far-reaching impact of family on politics, religion, and the world; male art compared to some of Rego’s work; and the connection between political dominance and the “hierarchical happy family,” as well as how Rego deviates from that established norm (in her work and personal life). Some of Rego’s paintings, including Pregnant Rabbit Telling Her Parents and The Red Monkey Beats His Wife, are examined for their similarities and differences to the traditional family, as well as social and political implications. Rego’s Family series, which adopts a theme of “attacks on males by their female relatives,” is analyzed, including symbolism as well as gender imbalance—and their relevance to Portugal’s history. Finally, Lisboa discusses the theme of incest in Rego’s work, including symbolism; the motif of “men being dressed by women”; and Rego’s work that is both about family and the motherland.