First, we will discuss more precisely the distinction between story and plot, clarifying what we understand by an ‘event’ and the different ways in which the events of a narrative can be connected. Then we will look at the mechanisms of emplotment, the specific operations that can be applied to a story when arranging it into a plot. By arranging events in a meaningful and coherent structure that has a beginning, a middle, and an end, these mechanisms can result in many kinds of plot. We will look at a few of these, which are quite common in prose fiction. Most of these plots are motivated by a conflict, which can be external or internal, and lead to some form of resolution. We will look at this ‘story as war’ analogy and present a five-stage general structure that can be found in many narrative plots. Finally, we will discuss two important mechanisms of emplotment at the micro level, suspense and surprise, which are often used by writers to engage readers and hook them to the narrative.