If the digitally networked world provides the ability to author with images as well as a more open form of academic scholarship, it also raises concomitant ethical considerations around areas such as privacy and copyright. Celeste Tường Vy Sharpe confronted these issues in her own dissertation project completed in a department of History in the United States. Sharpe’s research included extensive archival research of sensitive materials in her exploration of visual culture and disability. Given the topic, Sharpe found herself weighing the need for visual evidence with the ethics of exposing images culled from the March of Dimes.