Christopher A. Williams explores the deeper layers of web design to discover the communicative potential of ‘sticky web galleries’ for the multimodal and broad public dissemination of improvisation in music. He describes in great detail the collaborative process necessary to design his thesis, complete with paths and multimedia files that align with musical knowledge, beyond linear text. As a team, he and his collaborator arrive at a site that ‘as a whole functions as a sort of meta-score for improvisers’. At the same time, the thesis becomes not only a milestone within a research path, it also turns into a resource for practitioners outside of the usually closed publication loop as a ‘living meta-work.’