Copyright

Paul Farmer

Published On

2023-09-27

Page Range

pp. 105–118

Language

  • English

Print Length

14 pages

9. Building the New Show

  • Paul Farmer (author)
Brecht on Theatre becomes a significant influence at this time. In this A39 was moving against the structuralist/poststructuralist/postmodernist flow of academic fashion, but we have no connection with that world and it has no resonance in ours.
Brecht, even more than McGrath, insisted that theatre is a virtuoso art. We identify A39 in Brecht’s description of Epic Theatre, and his description of the ‘V-Effekt’ encourages us to deal differently with the formulation and performance of protagonists. Brecht’s demands for ‘pedagogics’ brings him into conflict with McGrath, but experiences with the aspects of One & All! formally most influenced by McGrath bring us down firmly on Brecht’s side. This informs the conception of an aesthetic within which the new show will operate.
The new play will be about the Industrial Revolution as embodied by the Cornish engineer Richard Trevithick, the inventor of the steam locomotive and many other innovations, and why his life ended in poverty and failure while others made fortunes from his works. We will use Trevithick’s story to demonstrate how capitalism came to be what it is and why its time must end.

Contributors

Paul Farmer

(author)
Associate Lecturer at Falmouth University

Paul Farmer first worked in Cornish arts as an actor/musician/bus driver with Miracle Theatre, then co-founded A39 Theatre Group, later becoming artistic director. As a freelance playwright he wrote a number of plays for Kneehigh Theatre Company and for Cornish community events and celebrations. During the mid-late 1990s Farmer was one of those who established the Cornish film industry, as a writer, director and producer. An increasingly experimental film practice would lead to a number of projects exploring digital image work in a literary context. He was a founder member and company manager of the live literature collective Scavel An Gow, then one of the three artists who represented Cornwall in the European Regions of Culture initiative, leading into work in a fine art context in performance, moving image and installation. He holds an Honours degree in Theatre from Dartington College of Arts and a Masters in Fine Art: contemporary practice from University College Falmouth. From 2014 to 2022 he was a lecturer in film and theatre at Falmouth University. In 2000 he was made a Bard of Gorsedh Kernow ‘for services to Cornish arts’.