Copyright

Paul Farmer

Published On

2023-09-27

Page Range

pp. 119–134

Language

  • English

Print Length

16 pages

10. ‘How much easier it is to honour the dead than to value the living’—The Tale of Trevithick’s Tower

  • Paul Farmer (author)
A key concept for the new show is ‘levels of pretence’—the principle derived from McGrath’s observations on the sophistication of popular engagement with issues of identity in the performance of pantomime. In One & All!, for example, who were we being when we were narrating? We could push the new show up one ‘layer of pretence’ and remove any implied authority figures: rather than ask audiences to take anyone on trust, we could insist they distrusted everybody.
So we formulate the new show not as a play, but as a public meeting. In the real world the plan is afoot to take over Truro City Hall and turn it into a prestigious theatre. Our public meeting is part of a fictional campaign to demolish the City Hall to build the tower Trevithick designed in 1833 to commemorate the passing of the Reform Laws. Having pushed the execution of the play away from ourselves and into movement between the onion skins of ‘layers of pretence’, we use three bizarre contemporary characters to implicitly critique contemporary society and government.
The Tale of Trevithick’s Tower premieres on Camborne Trevithick Day 1986 and tours Cornwall.

Contributors

Paul Farmer

(author)
Associate Lecturer at Falmouth University

Paul Farmer first worked in Cornish arts as an actor/musician/bus driver with Miracle Theatre, then co-founded A39 Theatre Group, later becoming artistic director. As a freelance playwright he wrote a number of plays for Kneehigh Theatre Company and for Cornish community events and celebrations. During the mid-late 1990s Farmer was one of those who established the Cornish film industry, as a writer, director and producer. An increasingly experimental film practice would lead to a number of projects exploring digital image work in a literary context. He was a founder member and company manager of the live literature collective Scavel An Gow, then one of the three artists who represented Cornwall in the European Regions of Culture initiative, leading into work in a fine art context in performance, moving image and installation. He holds an Honours degree in Theatre from Dartington College of Arts and a Masters in Fine Art: contemporary practice from University College Falmouth. From 2014 to 2022 he was a lecturer in film and theatre at Falmouth University. In 2000 he was made a Bard of Gorsedh Kernow ‘for services to Cornish arts’.