Copyright

Paul Farmer

Published On

2023-09-27

Page Range

pp. 83–90

Language

  • English

Print Length

8 pages

6. A39 International

  • Paul Farmer (author)
Our European tour is radically different to A39’s barnstorming round Cornwall. We set off in Lucy’s battered Renault 12, the four of us packed inside with our clothes, costumes, instruments, two tents and camping gear. We take the ferry from Dover to Ostend and perform hit-and-run street theatre in cities on a path leading eastwards and southwards through Belgium, Germany, and Austria towards the Iron Curtain where western capitalism confronts Eastern Bloc. Each night we camp in the Rastplätze of the Autobahns.
The nominal terminus on our outward journey is Budapest in Hungary, not because we have any illusions about the nature of the Soviet satellite system, but because we want to see it for ourselves.
We learn a great deal about performance, about creativity and about A39. Besides performing in Budapest, we take the opportunity of secure accommodation to create new material before setting back on the road. Once more we pay our way through street performances to return to Cornwall to work on a new touring play; an intention we find ourselves forced to postpone….

Contributors

Paul Farmer

(author)
Associate Lecturer at Falmouth University

Paul Farmer first worked in Cornish arts as an actor/musician/bus driver with Miracle Theatre, then co-founded A39 Theatre Group, later becoming artistic director. As a freelance playwright he wrote a number of plays for Kneehigh Theatre Company and for Cornish community events and celebrations. During the mid-late 1990s Farmer was one of those who established the Cornish film industry, as a writer, director and producer. An increasingly experimental film practice would lead to a number of projects exploring digital image work in a literary context. He was a founder member and company manager of the live literature collective Scavel An Gow, then one of the three artists who represented Cornwall in the European Regions of Culture initiative, leading into work in a fine art context in performance, moving image and installation. He holds an Honours degree in Theatre from Dartington College of Arts and a Masters in Fine Art: contemporary practice from University College Falmouth. From 2014 to 2022 he was a lecturer in film and theatre at Falmouth University. In 2000 he was made a Bard of Gorsedh Kernow ‘for services to Cornish arts’.